Katie Keys is one of the artists who inspired me to make “Fine Line”. So I am very excited about our new collaboration. Katie is a poet, writer, arts manager and advocate. We met when she was the CEO of Arts Access Australia, the organisation I now run. I was intrigued by her creative discipline to write a poem a day on twitter. You can follow her at @tinylittlepoems and enjoy her 140 character poems. Her conscious decision to keep creativity on her agenda whilst managing a national organisation with limited resources made me re-evaluate my own approach to my arts practice … and here I am.

So now to the collaboration. I asked Katie if she would like to create a series of tiny little poems in response to my songs. I am delighted that she agreed. Here’s the first one in response to track 1: “Monsters”.

In the night
when the whispers
grow too loud to hear,
like a chorus
of shadows unmet.
You’re scared of the things
that you can’t see to fear
and the things that
you’ll never forget.


There is always the danger that if I attend any event in a darkened room at the end of a stressful day, I will fall asleep. The Undercover Artist Festival kicked off in Brisbane’s Bille Brown Studio with the launch of Emma Bennison’s album, Fine Line. It was early evening. I got out of the taxi, rushed in. The stage was set. Minimalist, Chiaroscuro, Emma sitting at the keyboard, under a narrow stream of light, and the woman AUSLAN interpreter dressed in black, standing to the side, only her face and hands illuminated.
Emma sings ‘Monsters’. Her voice is clear folksy, Rock-Pop, grounded by the piano. I listen attentively to a powerful account of the experience of anxiety, the feeling of dread, monsters lurking in the shadows. “Oh the words they say will haunt you, and the fear it will taunt you.”
The lyrics of the songs represent Emma’s journey over the past three years as the CEO of Arts Access Australia, a working parent, an artist, a sister, volunteer with Blind Citizens Australia, a disability advocate. She explains this is the first time she has written songs that honestly express her fears and joys, the highs and lows of her experiences, as opposed to writing what she thinks the music industry wants to hear. ‘Guilty’ is another example of this honesty where she writes about the feelings that overwhelm her when she leaves her family to travel.

Another suitcase, another place.
Another unfamiliar face.
Taxi’s waiting, another rushed good-bye
And I’m trying trying trying so hard not to cry.
And I wonder if you realise I wonder if you know,
Just how badly I don’t want to go.

I’m definitely not falling asleep. Emma is a singer/songwriter, a storyteller and nothing holds my attention more than a good story. She says, “I think it is time these stories were heard. Not only because they are my stories, but because I never hear songs about myself or others like me on the radio and I want to change that.” Fine Line is an album that challenges us to think about representation, the importance of role models and leaders in creating a more positive future for people who face discrimination, specifically people with disability.
Wendel is on duty throughout the performance. A black, guide dog, he lays quietly in the shadows of the keyboard. Emma chats to us about people’s weird and wonderful responses to him and then sings, ‘He’s not Human.’ The song is funny and poignant. The audience laughs.

Every day when I walk down the street,
People ask me questions.
And with most of the people I meet,
I have no objections.
Some of them are thought-provoking . . .
Some of them I wonder, are you joking?

Cause he can’t see when the lights turn green and he can’t read the signs on a TV screen
Cause guess what? He’s not human!
And he can’t read the numbers on the elevator floors and he can’t read the numbers on my hotel room door
Cause guess what? He’s not human!

Emma’s love of singing developed at a young age. She participated in the Christmas and Easter choirs at church, loving the harmonies and often sang the descant parts. She has fond memories of singing ‘Good King Wenceslas’ with a boy soprano, and for two years running performing ‘The Little Drummer Boy’. “It actually became quite lucrative at one point . . . a stranger would come over to me afterwards and press a $100 note into my hand telling me to buy a present for myself.” She has a Bachelor of Music from the University of Queensland and would like to continue writing, touring and performing. With the launch of Fine Line she hopes people will hear and enjoy her music, and that they will understand more about universal access.
The Fine Line CD cover and booklet are accessible. Emma worked with Access2Arts to create a professional audio description of the visual elements, and recorded the cover notes as an audio file and as an electronic file accessible to screen reading technology. She has included the lyrics for people who are hearing impaired or Deaf and made some videos so Deaf audience members can get more of a sense of the music in addition to engaging with vibration. For the audio description and cover notes go to: https://emmabennisonmusic.com/access-the-fine-line-album-cover

The album cover is black and white, minimalist, like the stage design. The songs too offer us dark and light, depth and subtlety, expressing the pathos and the shadows, and always the humour of life.
I am hoping for and looking forward to the Fine Line tour, Emma performing in festivals, and mainstream venues, accompanied by a band, and backing singers.
The winds of change are blowing strong
They’re moving the mountains that have stood in our way for so long.
And we’ve gotta make sure they keep on blowing

All proceeds from the launch were donated to the SAFE Fund – providing professional development grants and an annual award to Queensland artists with disability.

Gaele Sobott is a writer and producer, disability advocate and director of Outlandish Arts.

Thanks to 936 ABC Hobart for having me in to perform live and speak with John X. I had a great time! Listen here:

Some photos of me performing at the launch of “Fine Line” at the Under Cover Artist Festival in Brisbane. Thanks Magda

Labuda for the photography. To check out more of Magda’s work, visit http://www.magdalabuda.com.


Emma Performs at Brisbane Launch of "Fine Line"

Emma Performing

Emma Performing

On 9 August, Hobart singer/song-writer, Emma Bennison will launch her new album with a free event in Hobart. The album, “Fine Line” makes history by being fully accessible to people with disability. Fine Line, Bennison’s second release, combines stunning vocals and honest lyrics which offer a poignant window into her experiences of walking the fine line, as a disability rights advocate, a mother, a sister and a parent.


Audiences were spellbound when Bennison launched “Fine Line” at the Under Cover Artists Festival in Brisbane, (her home town) last month. Now it’s Hobart’s turn to be blown away! The event will take place on Sunday, 9 August at 3:00PM at the Moonah Arts Centre, 23-27 Albert Road, Moonah. “Fine Line” is available for digital download in major stores and on CD. For more details visit www.emmabennisonmusic.com/buy-music

To view the event on Facebook, visit:


In this interview on Blind Citizens Australia’s New Horizons program, Emma talks with steve Richardson about what inspired her to write the material for the “Fine Line” album.

Emma speaks about the accessibility features of “Fine Line” and performs a live track on 612 ABC Brisbane.


26 June 2015

Tasmanian Singer Makes History


Today, Tasmanian singer/song-writer, Emma Bennison will make history with the launch of an album accessible to people with disability. Fine Line, Bennison’s second release, combines stunning vocals and honest lyrics which offer a poignant window into her experiences of walking the fine line, as a disability rights advocate, a mother, a sister and a parent.


Bennison says the decision to make the album accessible came about because of her own experiences as a person who is blind. “I have always been intrigued by what album covers actually look like and how the images relate to the music, so I contracted Access 2 Arts in South Australia to audio describe the album cover.”


“As a song-writer myself, I am fascinated by what inspires particular tracks, but rarely have access to cover notes, so I am providing text and audio versions of the booklet which accompanies the album. Lyrics in text format are also included to assist people who are Deaf or hearing-impaired and in audio format for people who are unable to read standard print.” The project has been supported by the Australia Council for the Arts.


The album will be launched at the Under Cover Artists Festival in Brisbane, Bennison’s home town tonight at 5:00pm at Queensland Theatre Company and in Hobart next month. It is available for digital download in major stores and on CD. For details and to hear the first single, visit www.emmabennisonmusic.com.




Media contact: Emma Bennison

Ph: 0410 553383

E-mail: info@emmabennisonmusic.com.

Facebook: www.facebook.com/emmabennisonmusic

Twitter: @ebennison


A slide show of photographs from the recording of my new album, “Fine Line”, due for release on 26 June. The images are accompanied by the first single, “The Master”.




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